Matthew Henry on Judges 9:7-21
We have here the only testimony that appears to have been borne against the wicked confederacy of Abimelech and the men of Shechem. It was a sign they had provoked God to depart from them that neither any prophet was sent nor any remarkable judgment, to awaken this stupid people, and to stop the progress of this threatening mischief. Only Jotham, the youngest son of Gideon, who by a special providence escaped the common ruin of his family (Jdg 9:5), dealt plainly with the Shechemites, and his speech, which is here recorded, shows him to have been a man of such great ingenuity and wisdom, and really such an accomplished gentleman, that we cannot but the more lament the fall of Gideon's sons.…
Read the whole note in the consoleJamieson-Fausset-Brown on Judges 9:7
JOTHAM BY A PARABLE REPROACHES THEM. (Jdg 9:7-21)
he . . . stood in the top of mount Gerizim and lifted up his voice--The spot he chose was, like the housetops, the public place of Shechem; and the parable [Jdg 9:8-15] drawn from the rivalry of the various trees was appropriate to the diversified foliage of the valley below. Eastern people are exceedingly fond of parables and use them for conveying reproofs, which they could not give in any other way. The top of Gerizim is not so high in the rear of the town, as it is nearer to the plain. With a little exertion of voice, he could easily have been heard by the people of the city; for the hill so overhangs the valley, that a person from the s…
Read the whole note in the consoleJohn Gill on Judges 9:11
And the fig tree said unto them,.... Rejecting the offer made:
should I forsake my sweetness and my good fruit; for such the fruit of the fig tree is, sweet and good: so Julian (d) the emperor shows from various authors, Aristophanes, Herodotus, and Homer, that nothing is sweeter than figs, excepting honey, and that no kind of fruit is better, and, where they are, no good is wanting:
and go to be promoted over the trees? the same is designed by this as the former.
(d) Opera, par. 2. ep. 24. Sarapioni, p. 142.
