to be clear (orig. of sound · verb, piel imperfect, 3rd person masculine plural
name
שְׁמ֣וֹshe.Mo
H8034
an appellation · noun, common masculine singular construct + pronominal suffix, 3rd person masculine singular
dance
בְמָח֑וֹלve.ma.Chol
H4234
a (round) dance · preposition + noun, common masculine singular absolute
praises
יְזַמְּרוּye.za.me.ru-
H2167
play upon it · verb, piel imperfect, 3rd person masculine plural
timbrel
בְּתֹ֥ףbe.Tof
H8596
a tambourine · preposition + noun, common masculine singular absolute
harp
וְ֝כִנּ֗וֹרve.khi.Nor
H3658
a harp · conjunction + noun, common masculine singular absolute
Strong's Exhaustive Concordance (James Strong, 1890/1894), public domain; digitized by Open Scriptures (CC BY-SA). KJV word tagging: eBible.org (public domain). Original-language text, parsing and brief lexicon: STEPBible.org data from Tyndale House, Cambridge (CC BY 4.0).
Cross-references
Jeremiah 31:13 Then shall the virgin rejoice in the dance, both young men and old together: for I will turn their mourning into joy, and will comfort them,…
Exodus 15:20 And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with danc…
2 Samuel 6:14 And David danced before the LORD with all his might; and David was girded with a linen ephod.
2 Samuel 6:16 And as the ark of the LORD came into the city of David, Michal Saul’s daughter looked through a window, and saw king David leaping and danci…
1 Chronicles 15:28-29 Thus all Israel brought up the ark of the covenant of the LORD with shouting, and with sound of the cornet, and with trumpets, and with cymb…
Psalms 81:2 Take a psalm, and bring hither the timbrel, the pleasant harp with the psaltery.
Judges 11:34 And Jephthah came to Mizpeh unto his house, and, behold, his daughter came out to meet him with timbrels and with dances: and she was his on…
Psalms 30:11 Thou hast turned for me my mourning into dancing: thou hast put off my sackcloth, and girded me with gladness;
Cross-references from OpenBible.info (CC BY), in the lineage of the Treasury of Scripture Knowledge (public domain).
Commentary
Matthew Henry on Psalms 149:1-5
We have here,
I. The calls given to God's Israel to praise. All his works were, in the foregoing psalm, excited to praise him; but here his saints in a particular manner are required to bless him. Observe then, 1. Who are called upon to praise God. Israel in general, the body of the church (Psa 149:2), the children of Zion particularly, the inhabitants of that holy hill, who are nearer to God than other Israelites; those that have the word and ordinances of God near to them, that are not required to travel far to them, are justly expected to do more in praising God than others. All true Christians may call themselves the children of Zion, for in faith and hope we have come unto Mount Zion, H…
in the dance-- (Psa 30:11). The dance is connected with other terms, expressive of the great joy of the occasion. The word may be rendered "lute," to which the other instruments are joined.
sing praises--or, sing and play.
John Gill on Psalms 149:3
Let them praise his name in the dance,.... In a chorus of saints, joining together in their expressions of joy, by words and gestures; an ancient practice that went along with singing praises, Exodus 15:20; or rather, "with the pipe" (k), as some render it; a musical instrument used in former times in the worship of God, in this part of it, praising his name, with those that follow;
let them sing praises unto him with the timbrel and harp; the former of these was a vessel of brass, a drum or tabret, on which they beat, perhaps like one of our kettle drums; the other was a stringed instrument of music much used, and in playing on which David was very skilful: the music of these was typical o…
Psalm 149:1-4
1. Sing ye to Jehovah a new song: his praise is in the congregation of the merciful. 2. Let Israel rejoice in his Maker: let the sons of Zion rejoice their king. [300] 3. Let them praise his name on the pipe, [301] on the timbrel [302] and the harp let them sing psalms to him. 4. Because Jehovah hath taken pleasure in his people; he will glorify the poor unto salvation.
1. Sing to Jehovah a new song. This exordium proves what I have just said, that the exhortation now given is addressed only to God's people; for the singular goodness which is particularly extended to them affords more ample matter of praise. The probable conjecture is, that the Psalm was composed at the time…
The Church Fathers
"Let them praise his name in the choir; let them play music for him on the timbrel and harp." In an earlier verse he said that we must rejoice in the Lord Christ, but now he says that we must praise the name of the Lord in the choir. That is to say, in the choir that never suffers any scattering, boredom or scandal, but is gathered in the uprightness of merits and always exists with the dearest unity. But another psalm explains what this choir is like and how big it is: "From the rising of the sun to its setting, praise the name of the Lord." The chorus that is gathered from the beginning of the world from the multitude of the heathen also cannot be gathered except in that heavenly homeland.
Let them praise his name in the choir. Wherever there is a choir, there diverse voices are gathered together into one song. For just as diverse strings produce the one sound of a song, so also diverse voices — that is, when they have been gathered together at once — make the choir of the Lord. Let them praise his name in the choir: where there is dissension, where there is envy, there is no choir. Let them praise his name in the choir: let them sing praise to him on the timbrel and the psaltery. Let this choir have a song, and have a timbrel and a psaltery. Let us crucify our bodies to Christ, and with such a timbrel let us sing to God. Let them sing praise to him on the timbrel and the psaltery. A timbrel does not have flesh, but a skin: and we, as long as we are fleshly, are not a timbrel. It is not a timbrel unless it has no flesh, unless it is stretched taut: a timbrel cannot be shrunken, but stretched out. And let sins not shrink us up, but let righteousness stretch us wide. Let us run through the rest. Let them sing praise to him on the timbrel and the psaltery. What we say in the choir, let us say this on the psaltery. The psaltery properly is a kind of musical instrument, which is like a lyre. It has a resemblance to a lyre, but it is not a lyre. Between the psaltery and the lyre there is this difference: the lyre is struck below, whereas the psaltery is struck above, which in the common word is called polyphthongon (many-toned). This, then, is the psaltery. Here, therefore, it is enjoined upon us that in the new song we should not sing to the Lord from below on the lyre, but from above, that is, on the psaltery.
"Let them praise His Name in chorus" [Psalm 149:3]. What means "chorus"? Many know what a "chorus" is: nay, as we are speaking in a town, almost all know. A "chorus" is the union of singers. If we sing "in chorus," let us sing in concord. If any one's voice is out of harmony in a chorus of singers, it offends the ear, and throwes the chorus into confusion. If the voice of one echoing discordantly troubles the harmony of them who sing, how does the discord of heresy throw into confusion the harmony of them who praise. The whole world is now the chorus of Christ. The chorus of Christ sounds harmoniously from east to west. "Let them sing a psalm unto Him with timbrel and psaltery." Wherefore takes he to him the "timbrel and psaltery"? That not the voice alone may praise, but the works too. When timbrel and psaltery are taken, the hands harmonize with the voice. So too do thou, whenever you sing, "Halleluia," deal forth your bread to the hungry, clothe the naked, take in the stranger: then does not only your voice sound, but your hand sounds in harmony with it, for your deeds agree with your words. You have taken to you an instrument, and your fingers agree with your tongue. Nor must we keep back the mystical meaning of the "timbrel and psaltery." On the timbrel leather is stretched, on the psaltery gut is stretched; on either instrument the flesh is crucified. How well did he "sing a psalm on timbrel and psaltery," who said, "the world is crucified unto me, and I unto the world"? [Galatians 6:14] This psaltery or timbrel He wishes you to take up, who loves a new song, who teaches you, saying to you, "Whosoever wills to be My disciple, let him deny himself, and take up his cross, and follow Me." [Matthew 16:24] Let him not set down his psaltery, let him not set down his timbrel, let him stretch himself out on the wood, and be dried from the lust of the flesh. The more the strings are stretched, the more sharply do they sound. The Apostle Paul then, in order that his psaltery might sound sharply, what said he? "Stretching forth unto those things which are before," etc. [Philippians 3:13] He stretched himself: Christ touched him; and the sweetness of truth sounded.
Dictionary and topics
Dance — Found in Judg. 21:21, 23; Ps. 30:11; 149:3; 150:4; Jer. 31:4, 13, etc., as the translation of hul, which points to the whirling motion of Oriental sacred dances. It is the rendering of a word…
Dancing · 11:34;21:19-21; — 11:34;21:19-21;
Harp · Used in worship — Used in worship
Timbrel · Used in religious services — Used in religious services
Dictionary: Easton's (1897) and Smith's (1863), public domain. Topics: Nave's Topical Bible (1896) and Torrey's Topical Textbook (1897), public domain. Both as parsed by NEUU (CC BY 4.0).
Ps 149 This hymn of praise celebrates the Lord’s victory. He is the Maker of Israel (149:1-2) and the victorious King who shares his glory with his faithful ones (149:3-9).
Spurgeon's Treasury of David on Psalms 149:3
Let them praise his name in the dance: let them sing praises unto him with the timbrel and harp.
Let them praise his name in the dance: let them sing praises unto him with the timbrel and harp. Thus let them repeat the triumph of the Red Sea, which was ever the typical glory of Israel. Miriam led the daughters of Israel in the dance when the Lord had triumphed gloriously; was it not most fit that she should? The sacred dance of devout joy is no example, nor even excuse, for frivolous dances, much less for lewd ones. Who could help dancing when Egypt was vanquished, and the tribes were free? Every mode of expressing delight was bound to be employed on so memorable an occasion. Dancing, singi…